Here's a little piece from composer/improvisor Douglas Ewart to start your day off right. Enjoy "Red Hills" as performed by N.S.A Ensemble.
About the composer:
Born in Kingston, Jamaica in 1946, Douglas R. Ewart immigrated to Chicago, Illinois in the United States in 1963. His travels throughout the world and interactions with diverse people since then has, again and again confirmed his view that the world is an interdependent entity. An example of his efforts both to study and to contribute to this interdependence is his use of his prestigious 1987 U.S.-Japan Creative Arts Fellowship to study both modern Japanese culture and the traditional Buddhist shakuhachi flute, and also to give public performances while in Japan.
In America, his determination to spread his perspective is part of the
inspiration behind his often multi-disciplinary works and their
encouragement of artist-audience interactions. It is also the basis of
the teaching philosophy with which he guides his classes at the School
of the Art Institute of Chicago, where he has taught since 1990, and the
basis of the perspective he has brought to his service on advisory
boards for institutions such as The National Endowment for the Arts,
Meet the Composer (New York City) and Arts Midwest. Mr. Ewart uses his
past experience as chairman of the internationally renowned Association
for the Advancement of Creative Musicians (AACM) to celebrate and build
upon the history and achievements of the organization, and is from this
perspective a natural extension of the activities he has been engaged in
for the past four decades.
Beyond sound itself, Ewart’s music finds natural extensions (in every sense of the word) in the instruments he makes, which run the gamut from unique wind instruments to percussion instruments. Beyond these are sculptures, sound sculptures, and individually handcrafted masks that have been exhibited at Museum of Contemporary Art and the Art Institute of Chicago, among others. All these elements of his art are on display every year in Chicago and in other cities in stagings of “Crepuscule,” which in Ewart’s own opinion best represents his celebratory spontaneity and commitment to organic inclusivity. A massive collective composition, “Crepuscule” is a celebration of sunset that brings together diverse musical groups, dancers, artists and activist for a musical and visual event that has become one of the signature programs of the Jazz Institute of Chicago, being held annually at the city's Washington Park. Ewart improvises with the scores of other performers who come together for “Crepuscule” by using not only well-known wind instruments but also his own wondrously inventive percussion instruments (crutches, oars and skis transformed by cymbals and bells). In addition to having been adopted as an annual ritual in Chicago, “Crepuscule” has been performed in Philadelphia, PA and Minneapolis, MN, and employed by the Banlieues Bleues Festival in Paris, France to unite the diverse artistic and ethnic cultures of Paris’ inner city communities.
Ewart is the winner of the Bush Artists Fellowship (1997), Minnesota Composers
Forum/McKnight Foundation fellowships, Jerome Foundation grants, Mayor Harold Washington's Outstanding Artist Award and a Naropa Institute residency among many other honors. He has performed at the Moers International Festival (Germany), at the University of Puerto Rico San Juan, throughout Brazil, in Tokyo, Perth, Havana, Paris, Stockholm, London, Düsseldorf and Berlin; in the U.S. he has performed at Mobius (Boston), The Contemporary Art Center (New Orleans), the Walker Art Center (Minneapolis), the Science Museum (St. Paul), 1750 Arch Street (Berkeley), Painted Bride (Philadelphia), Creative Arts Collective (Detroit), Lincoln Park Zoo and the Field Museum of Natural History (Chicago), Merkin Hall, the Public Theater, The Kitchen and Carnegie Hall (New York). He has led workshops and lectured at Louisiana Nature Center (New Orleans), University of Illinois Unit One (Champaign), the Smithsonian Institution (Washington, DC.), Northwestern University (Evanston), University of Chicago and the Banff Center for the Arts (Alberta, Canada).
Here's a link to an interview with the composer about his process: